The new grand tour

The eighteenth-century grand tour was an education by road. Its modern revival is about the same thing — taking the long way, on purpose.

A vintage bordeaux convertible drives along a cypress-lined road through the Tuscan hills towards a villa.
HIGHER studio (illustrative image)

The original grand tour was a rite of passage: young travellers crossing Europe towards Italy to see its art and ruins in person. The journey was slow by necessity, and the slowness was the point.

The car as a room

A great touring car is less a machine than a room that moves. Its seats are made for hours, not laps; its luggage space matters as much as its power. The best of them make distance feel like a privilege rather than a chore.

Route over destination

Plan the roads before the hotels. Cypress avenues, mountain passes and coastal corniches reward an unhurried pace. Motorways are for getting home.

Plan the roads before the hotels. Motorways are for getting home.

Packing like a tourer

Soft luggage that fits the car’s shape. One good jacket. A paper map, because signal vanishes exactly when the scenery is best.

What we look for

Comfort that lasts a full day, a cabin that still feels special on the third, and a design that looks right parked outside a small hotel. The new grand tour isn’t about speed. It’s about arriving with something to say.

Editorial desk

HIGHER Editors. The HIGHER editorial desk writes, edits and fact-checks every story we publish.

A dark grand touring coupé on a coastal road at dusk, cliffs and sea behind it.

MotorsDesign

Why the grand tourer still matters

In an age of silent acceleration, the long-bonnet coupé is a design argument for proportion, patience and the open road.

DEMO — editorial example